Econometrics as a solution to blind spots in your marketing strategy: Grizzlink introduces econometric analysis.

You have the efficiency of your digital channels sorted thanks to ROI or ROAS, but can’t evaluate the impact of other channels offline? And how to analyse situations where the customers decide to buy your product based on your TV and through Google Ads only finishes the purchase? Based on the ROI in Google Analytics, the impactful channel is Google Ads and TV remains attributeless. Had it not been for it, though, the purchase would’ve never happened. How to approach this?

Grizzlink introduces a product among its analytical services which resolves all these pickles and helps brands make more informed strategic decisions: an econometric analysis.

Up until now, econometrics was mainly the domain of large corporations with deep pockets. Grizzlink strives to level the uneven playing field between David and Goliath and brings this tool not only to large media spenders but also to medium-sized companies whose strategic decisions have been clouded by intelligence blind spots. As with anything in marketing, the econometric analysis should be perceived as an investment, not an expense. Investment improves strategic decision making and strengthens your competitiveness in the long term.

Econometrics?

Econometrics is a field that explains economic relations through the use of economics, mathematics and statistics. It works with datasets worth of historical data, independent and dependent variables. The independent variables include media mix impressions (both you and your competitors), macroeconomic indicators, and other relevant factors; all on the weekly basis. The dependent variable is then business results - most frequently sales, but also a number of leads, store visits etc. To put it simply - the fundamental outcomes of an econometric analysis are the interpretation of the past, streamlining the present and predicting the future. Too ambitious? Read further.

1. Interpretation of the past

Thanks to the analysis of historical activities, we can evaluate which individual channel had the most impact on sales. Without thorough econometric analysis, it is virtually impossible to determine which channels are impactful and to what extent. At the same time, we can detect which channels are simply dead weight ready to be cut out off the media mix. The essential difference between an econometric analysis and an advanced attribution model is that the former does not examine a path to purchase of an individual customer, but works with the whole customer base.

What’s more, we don’t have to limit ourselves to media mix, but we can analyse other factors such as a creative, economic situation or cultural trends. This brings us to the next use of econometric analysis: making the present more effective.

2. More effective present

People best learn from their own mistakes, right? These don’t necessarily have to be mistakes. You could do all the planning by the book but thanks to econometrics you still find out that there is a slightly better split of media for your specific target segment. This way, econometric analysis can save up to 20% of your planned budget and redistribute it for improved effectiveness. Thanks to econometrics the next term will be planned based on real data specific to your segment and your brand. You don’t have to rely on assumptions or best practices for planning anymore.

3. Predicting the future

Thanks to econometrics, you can also predict your key performance indicators based on a specific media mix. Find out what the impact will be if you reallocate 10 % of your media spend to TV campaigns. What the consequences of halting your consumer contests will be. Simultaneously, you will be able to predict the impact of forces outside of your influence which still can have an impact on your business, such as macroeconomic indicators, cultural trends or the impact of weather.

It is noteworthy, however, that all these predictions must be based on historical activities. Although you can foretell the sales volume if you reallocate 10 % of your budget from one channel to another, you cannot predict the impact of adding a new channel, which you haven’t used before.

 

Case study

 

Analysis description

  • The following case study is an analysis of an anonymous brand within the financial sector. We examine two financial products separately, but also within their mutual relationship across three and a half years with weekly data.
  • The goal of the analysis was to determine the factors influencing the acquisition of new clients and to define future managerial recommendations.
  • Entry data
    • No. of new clients
    • Media mix, both the brand’s and its competitors’
    • Interest rates, own and the market’s average
    • Webpage visits
    • Seasonal factors

Main insights

  • Media effectiveness: the crucial factors for Product 1 sales are TV campaigns and web visits. As for Product 2, besides TV and web, print ads also contribute to sales.
  • Customer journey: TV serves as the first point of contact, builds brand awareness and influences website visits.
  • Selection of media: the recommended approach for TV campaigns is to invest GRP between 200-250 for Product 1, and between 400-450 for Product 2.
  • ROPO Effect: 1 out of 4 customers looks up Product 1 online, but purchases offline. For Product 2, on the other hand, ¾ of new customers search online and finish purchases in the branch office.
  • Spillover effect: the TV campaigns for Product 1 have a positive influence on the number of new customers for Product 2. 
  • Base line (acquisition of new customers irrespective of marketing activities): Product 2 sees an increasing baseline thanks to long-term TV campaigns. Despite the basic hypothesis, this trend is not apparent for Product 1.

  • TV campaigns contribute to webpage visits in 38 % of all cases. Webpage visits contribute to the acquisition of new clients in 63,7 % of cases.
  • Carry-over effect (the impact of ads in one month on the customer behaviour in the following month) is at 20 %.
  • Optimal Gross Rating Point is between 200 and 250 GRP.
  • Increase in the baseline due to TV campaigns has not been detected yet despite the hypothesis built on the strength of TV campaigns.
  • Webpage visits contribute to the ROPO effect (searching online, buying offline) in 28,4 % of cases.

  • Only competitors’ TV campaigns have a negative influence on the acquisition of new clients.
  • Competitors’ communication takes up 46,4 % of potential new clients.

  • The number of new clients is affected by TV campaigns, website visits and print ads.
  • The TV campaigns for Product 1 have a positive effect on the number of new clients for Product 2 (+67 new clients = 1,5 %).
  • Long-term campaigns affect the increasing baseline.
  • Long carry-over effect for Product 2 enables longer periods between campaigns (2-3 weeks).
  • Ideal Gross Rating Points is between 400 and 450 GRP.
  • ROPO Effect is at 78 % – approximately 3 out of 4 new customers search for information online and purchase in the branch store.

Interested?

Are you contemplating whether econometric analysis is right for you? Do you want to find out more? Check our landing page landing page, or reach out to us directly.


Stereotypes in marketing

At the center of any marketing communication there must always stand the customers. However, despite technological advances, we still cannot collect all the data about them. This is why we often make our work easier with a number of projections designed to help us refine our targeting. But we must treat them with caution and verify whether we are not just subject to socially deep-rooted stereotypes in our conclusions.

A good example of stereotyping, for example, is the player of computer games. Many imagine a younger man who spends the whole day at the computer and practically doesn't talk to anyone. Therefore, it can come as a surprise that the statistical representation of men and women among global players is perfectly balanced (year-on-year deviation of +/- 2 %), and with one quarter, we are talking about a persons aged 45 years and older.

It concludes that a stereotypical assumption does not equal statistical data.

Multinational FMCG company Unilever decided to set an example in breaking stereotypes in advertising . Their corporate marketing communication tries to follow social developments and so break the traditional roles and social portraits, which belongs perhaps to the last century, and today, they cannot be arbitrarily applied on consumer behaviour. Already in 2017, they founded an association that connects other organizations, and they all work together to eradicate stereotypes in all advertising formats.

In the video below, you can watch their DNA experiment.

Presenting the two most common stereotypes that interfere with segmentation, now.

Age matters (not)

We often apply a common stereotype in dividing and comparing generations to each other. We attribute to them uniform patterns of behaviour and define their consumer decision-making only on the year of birth basis. We call them inappropriately segments and pair them to one medium, which this or that generation uses most often – for instance, the Digital First approach for Generation Y or Social First approach for Generation Z. However, the generation does not resemble a definition of any segment, by far. You can just look around yourself, how behave those of same age, our peers, and we can notice a surprising thing – our age says nothing about our interests or how we spend our work and leisure time.

Take, for example, millennials. Every once in a while, a study that analyses Generation Y behaviour comes out, but the results don't support what is widely claimed. The behaviour and decision-making of millennials doesn't make a significant difference to previous generations. It is just younger and maybe a little poorer till certain age. Therefore, marketing should perceive age only as a number, that itself says nothing tell, and don't fixate on presumptions. It is the behaviour of each individual itself that should interest us.

Another widespread stereotype then applies to traditional media. We often see them as retreating, with younger generations spending their time on phones alone. Again, statistics say something else. Though, one cannot of course deny that, today, we spend more time on-line than ever before, to underestimate the reach of traditional media would also be a costly mistake. Instead of looking for the most relevant media, we should rather decide in what proportion a suitable mediamix will be compiled.

Mr Blue and Mrs Pink

With the problem of the for some outdated perception of gender roles of men and women today, we still encounter almost everywhere, although the topic itself is not that new. The ways in which these stereotypical roles are reflected in marketing are increasingly causing the opportunity to reach potentially more profitable customers to be missed. Research by the British research agency Kantar suggests that two thirds of women think current ads negatively portray the role of a woman.

Whether we're talking about a social role, or the ways the product is communicated, marketing often overrates whether a customer for a product should be woman or man. Still, in advertising there apply old standards, that the man is the head of the family, at the same time, the technical type, and clueless in the household, while women on the contrary, belong to the house-keeping and in their spare time they buy things they don't need. But that certainly this cannot be applied nowadays, so brands possible forgetting some of their potential customers is based solely on these unfounded assumptions.

But gender stereotypes by far don't concern adults only. Gender marketing among children's toys may be an even bigger problem than among adult products. Division of products in pink and blue or cars for boys and dolls for girls today is a complete standard, which has surpassed the period before 50 years ago, which was generally on far more discriminatory in social norms. Even despite the fact, that according to research, the girls today equally with the boys show interest in the video games and quarter of them won't wear anything pink. For example, the worldwide popular brand Lego decided to test its products by a mixed group, only a few years ago. In doing so, it is clear that such a decision may have previously had a major impact on prototyping products and expanding the portfolio of small customers.

In the year 2018, the British Advertising Standards Authority (ASA) came with the new set of rules, which should the British advertising industry follow in order to eliminate, as much as possible, the negative impact of advertising on the perception of male and female roles in society. But it was rather a first try to point out the fact that old order no longer fits today, and may generally have a negative impact on society.

How do brands try to work with breaking of stereotypes?

In 2019, globally popular sub-brand Diet Coke set out into the world with the campaign Unlabeled – Imagine the World Without Imposed Labels, that tried to tear down stereotypes built around gender roles, ethnic groups or sexuality. It was also a message that not every "label" is bad, it just needs to get to know to the individual more in depth.

In recent days, there has been a wave of reactions in recent triggered by spot of Girls. Girls. Girls magazine "Don't be a Slut. Be a Lady they Said" that shows gender labels and stereotypes associated with the role of a woman in society.

Thus, it tries to provoke a discussion over the absurd demands that are burdened on women, and the impact on their self-esteem. Also the Dove brand has been successfully fighting with this in its ads, for a long time.

https://www.youtube.com/watch?time_continue=1&v=7rM6BOdqORE&feature=emb_logo

How to avoid the mistaken stereotypes?

The difference between targeting a stereotype, and a real group of potential customers is only in data and research implementation. Better prevention of inaccurate segmentation does not exist. As we have showed on several examples, statistics often go in an unexpected direction compared to what we read or hear.